";s:4:"text";s:29178:"On that LP, as Dan Schwartz wrote in a sidebar to the Jackson/Jisi Bass Player interview, in 1993, “Jack is a dominating force. New live release features over 5 hours of music. It’s only got four strings.’ So there it began.”, Casady took to bass immediately — “I loved the sonic area” — but struggled with the neck on the P-Bass. Jack Casady - bass. “This was in 1960, when I was 16. Discography. Grace Slick didn’t attend, and the other band members rejected the idea of having Joan Osborne take her place. In the end, the band played three songs, capped by a rousing version of “Volunteers” — and Casady stuck around afterwards to join in a jam led by Arlo Guthrie and Pete Seeger. Not a singer and never a prolific songwriter, it was not until June 2003 that Casady released his first solo album, Dream Factor, which he co-produced with Greg Hampton. Later, Casady was to appear on David Crosby's If I Could Only Remember My Name (1971), Roky Erickson's album Don't Slander Me (1982) and Warren Zevon's Transverse City (1989). The legendary player behind Jefferson Airplane and Hot Tuna revisits his illustrious career on his 75th birthday. In 1992, he joined Paul Kantner's recreated Jefferson Starship, and appeared on the albums Deep Space / Virgin Sky and Windows of Heaven. Discography. “It was supposed to take only a couple months, but it ended up taking, I don’t know, something like 15 months to put together.”, The result was the bass known as Alembic #1, a neck-through-body, medium-scale instrument that was the first high-end electric bass. Find Jack Casady discography, albums and singles on AllMusic Wickersham installed an updated, active version of the new circuits. [citation needed]. Paul Kantner albums This is a science-fiction rock opera, and this all-star cast looks like fiction, but it ain't: Grace Slick, Jerry Garcia, David Crosby, Graham Nash, Mickey Hart, Jack Casady and others join in for Sunrise; XM; A Child Is Coming , and more. “I’ve got about 15 songs. Our slight age difference meant nothing to our friendship. They have performed with various lineups in the ensuing years, but the core of Hot Tuna has always been the duo that first played together as teenagers in Washington. “I wanted a bass where I can sit across from Jorma playing acoustic fingerpicking guitar and it will sound like a bass, not a baritone guitar, with actual low end coming out of the instrument. Casady stepped beyond the conventional rhythmic and chord-supporting role of rock & roll, in order to explore other possible melodic ideas offered by the rhythm and chord progressions. It frees me and takes the bass out of the realm of a linear instrument … Jorma’s approach allows me to play chords, to pick up and finish phrases he starts, and to play melodies while he provides accompaniment.” Casady cites the instrumental “Water Song” from Burgers, the third Hot Tuna album, as “the best recorded example of the melodic bass concept I’ve developed in this context.”, In 1971, Casady collaborated with the “dream team” of technical experts that Owsley had assembled in the creation of an entirely new kind of bass. The lengthy collaboration between the two goes back even further than that, to their boyhood days in Washington, D.C. Neither of these groups ever recorded, though live tapes are in circulation. It was different from the ’60; Fender had dropped the concentric pots. “When I’m not out there playing,” he says, “I like to do a lot of hiking and just generally keep in good health.” He also makes regular visits to teach master classes at Kaukonen’s Fur Peace Ranch in Ohio. For years in live performance with the Airplane, Casady's showcase was the Paul Kantner composition "The Ballad of You and Me and Pooneil", which gave the bassist the opportunity to improvise an open-ended solo that was different every night and often astonishing. For the live album we wanted to show the kind of energy we were getting at concerts that the whole San Francisco scene was built around; we were using the songs to expand our awareness on our instruments, and ‘Somebody’ was no exception.” The live album captured the Jefferson Airplane “in absolutely top form,” as Kaukonen wrote in his autobiography, and Casady’s bass playing was the driving force. This is the Ep that is totally contagious, and the one you always crave after the first listen. Isn’t that great?”, In the early ’70s, as the various personalities in the Airplane began to fly apart, Casady and Kaukonen decided to use their hotel-room blues jams as the basis for a band they called Hot Tuna. In 2017, 48 years after it was stolen, Casady was able to recover the bass, thanks to a Facebook contact. Casady's solo on "Candy Man" (Hot Tuna's First Pull Up, Then Pull Down, 1971) also shows his ability at carrying the melody rather than just playing rhythmic scales, a key characteristic of his bass solo work. He worked with Kaukonen on some of those gigs, playing lead on his ’58 Telecaster — “I wish I had that guitar today,” he says — while Kaukonen sang and played rhythm on his acoustic guitar. The Guild-overdriving-the-Versatone sound is omnipresent.” Onstage, Casady miked the Versatone and controlled it with a volume pedal, using it like an effect. Jefferson Airplane became the first successful exponent of the San Francisco Sound. Explore releases from Jack Casady at Discogs. The new lineup for the Jefferson Airplane was Paul Kantner, Jorma Kaukonen, Jack Casady, Grace Slick and Joey Covington plus an unofficial member Papa John Creach. Chris Jisi transcribed the bass line from the live version of “Somebody to Love” in a 2011 issue of Bass Player. Casady’s work with Hot Tuna can be broken down into two periods. The instrument is based on Casady's mid-1970s Gibson Les Paul Signature bass which he bought in the 1980s. On later Airplane albums, such as Bark, Long John Silver and the live Thirty Seconds Over Winterland, Casady switched over to a $4,000 custom-made Alembic bass (No. While Casady’s post-Airplane career has focused on Hot Tuna, he has been featured in a number of other settings over the years, including a power-pop outfit called SVT and side projects with David Crosby, Warren Zevon, Peter Rowan, and others. It didn’t look or sound like any electric bass that had ever been made before. In 2011, Casady received a Bass Player Lifetime Achievement Award at Bass Player LIVE!, presented by Anthony Jackson, after which he performed with Kaukonen and mandolinist Barry Mitterhoff. The signature sound of a great musician is his tone and that sets him apart from others. It’s got some vocal bits and pieces, but it’s primarily an instrumental album. Casady and Kaukonen formed Hot Tuna in 1969, and they still perform to the present day. The musical life of Jorma Kaukonen and Jack Casady. Casady began to use it in early 1972, and it was his main bass for about three years until it was damaged and, reportedly, did not sound the same even after repairs. His main rig at the time was a system with Fender Showman heads as preamps for McIntosh tube power amps driving “two cabinets with two 15s or an 18 or twin 12s, or whatever we put together in combinations.”, While the Airplane was on tour in 1968, Jack joined Jimi Hendrix in the studio for a jam that was released as the 15-minute track “Voodoo Chile” on the album Electric Ladyland. The second key component in the Casady sound was the Versatone Pan-O-Flex, a 35-watt tube amplifier with a unique design. Designed by G. Robert Hall, the amp has two channels, one for bass and one for treble, and the two outputs are mixed into a single 12-inch speaker. The band was formed early in 1978 as Jack Casady Bandbut evolved rapidly into SVT. “I’ve never tried to put together a discography.” By my count, there are more than 50, not counting various compilations, reissues, and bootlegs. Discography. Jack Bruce biography John Symon Asher Bruce - 14 May 1943 (Glasgow, Scotland) - 25 October 2014 JOHN JACK BRUCE inevitably heads up many a Rebus* list of famous Scottish rock musicians. The Hot Tuna / Jorma Kaukonen Setlists This project was started by Michael Scotellaro from NJ, along with John Blasi from Italy and Thomas Donhauser from Germany. Lives (1) *Blues Rock. They began to play together when Casady was still in junior high and Kaukonen, three years older, in high school. Music called to both of us and we answered it.”. He has also played in several Airplane-spinoff projects, including a short-lived 1989 reunion that produced an album and tour, as well as the KBC Band (with Marty Balin and Paul Kantner) and various versions of Jefferson Starship. Anthony Jackson, in his inimitable style, summed up his praise of Jack Casady in the 1993 Bass Player article by saying: “As I’ve insisted many times, the bass guitar has few true giants — the Dickheads of the Month excepted — and Jack Casady remains in the first row.” That’s still true. “Rock & roll was pretty bad and all,” the young Casady told Ralph Gleason. Later works, especially Live in Japan (1997), still testify to his creativity as evidenced by the continually evolving bass solos on "Candy Man", "Good Shepherd" and "99 Year Blues". Shop for Vinyl, CDs and more from Jack Casady at the Discogs Marketplace. If you need to know where to start, here are some suggestions: and/or the box set Jefferson Airplane Loves You, Keep on Truckin’: The Very Best of Hot Tuna, Basses Epiphone Jack Casady Signature Model (various versions, including the Limited Edition 20th Anniversary Model); Ribbecke “Diana” acoustic bass guitar, Strings Epiphone, Dean Markley Blue Steels (.045–.105); Ribbecke, Rotosound stainless steel, extra long scale, custom set (.050–.110), Amps Epiphone, Aguilar DB 680 tube preamp and DB 728 tube power amp with Aguilar GS 410 cabinet with four 10s + tweeter, plus Versatone Pan-O-Flex with Ernie Ball VP JR volume pedal; Ribbecke, DPA microphone to house system and Alessandro “Basset Hound” head with Aguilar DB 285 JC cabinet (“Little Jack”) with two 8’s and one 6.5 midrange driver. “I’ve been very fortunate to play with a fingerstyle guitarist the caliber of Jorma all these years,” said Casady in the 1993 Bass Player interview, “because I’m constantly treated to interesting contrapuntal lines. Danny Gatton and I were buddies. “All my heroes were stand-up bass players,” he says, citing such jazz greats as Charles Mingus and Scott LaFaro. It’s difficult to select outstanding tracks, as Jack plays with consistent brilliance throughout, but my personal favorites include the versions of “Hesitation Blues,” “Death Don’t Have No Mercy,” and the instrumental “Mann’s Fate” that appeared on the original LP. I hope to be able to put it out sometime this year.”. In his introduction to the Q&A, Gleason wrote: “For one who gets such a huge, driving sound from the bass, he is a smallish man, habitually concealed behind huge suede coats, dark glasses, and ponchos. [2] Although it has always been a fluid aggregation, with musicians coming and going over the years, the band's name has essentially become a metonym for Kaukonen and Casady's ongoing collaboration. During his SVT tenure, Casady actually taped his fingers together to force himself to simplify his highly articulated playing style. He considers what he says carefully, his mind works uniquely and provocatively, and he knows what he is about.”, Fifty years later, as he celebrates his 75th birthday, Jack Casady still knows what he is about — which is playing great bass, often with his longtime musical partner, guitarist Jorma Kaukonen, in Hot Tuna, the band they formed as a sideline to the Airplane in 1969. Discography. “He was younger than me in a time when that meant something. In the late 1970s, Casady and Kaukonen found that they needed some creative time apart, and Hot Tuna disbanded for several years. He broke out a blues tune that we ran through three or four times and then recorded.”, The tremendous sound that Casady got from his late-’60s gear can be heard to full effect on Bless Its Pointed Little Head, the live Airplane album cut at the Fillmores, East and West, late in 1968. The extraordinarily grand sound Casady produced during his 1968–1971 heyday—nowhere better heard than in his multi-tracked playing on "Sunrise", a song from Paul Kantner's 1970 solo album Blows Against the Empire—inspired fans to assign him the affectionate nickname of "God". That “classic” lineup of the Jefferson Airplane recorded the third album, After Bathing at Baxter’s, which was released at the end of 1967. Another Burgers track, " Sunny Day Strut", has Casady's bass dueling with Kaukonen's lead guitar. He immediately bought another Starfire Bass and sent it to Ron Wickersham, another member of the group of technical experts were who were working with the San Francisco bands. Hot Tuna je kalifornská bluesová a rocková skupina, kterou založili baskytarista Jack Casady a kytarista Jorma Kaukonen. Casady brought with him Nick Buck from Hot Tuna and added Brian Marnell and Bill Gibson from Airplay (ex Sound Hole). The Fly Jefferson Airplane DVD includes one such performance videotaped at The Family Dog, where Casady pulls off a ragingly inventive solo that visibly impresses fellow band member Grace Slick. That’s why I think, later on, I drifted into the hollowbody bass, because I liked that tone.” The instrument that he “drifted into” was a short-scale Guild Starfire Bass II, which he began to use in late 1967. Again, Casady's versatility was demonstrated as this band played in a convincing New Wave style, totally removed from Hot Tuna and Jefferson Airplane. “I can’t remember all the albums I’ve played on,” says Jack Casady with a chuckle. “That was great,” Jack says. It had a body carved from exotic woods, an elaborate inlaid fingerboard, interchangeable custom pickups sliding on brass rails, and modular circuit boards, designed by Ron Wickersham, modeled on those found in recording consoles. ][citation needed] After Marnell's death from a drug overdose Casady and Zahl continued the basic SVT sound with guitarist Jack Johnson and singer/songwriter/guitarist Owen Masterson in a band called The Yanks. The band was formed early in 1978 as Jack Casady Band but evolved rapidly into SVT. (For more on Alembic #1, see my Partners column in Bass Magazine issue 2.). Furthermore, he was a member of two short-lived splinter groups, Mickey and the Heartbeats (with Jerry Garcia and Mickey Hart) and Jack Casady and the Degenerates, an ensemble that included teenage friend Danny Gatton alongside Kaukonen. Casady brought with him Nick Buck from Hot Tuna and added Brian Marnell and Bill Gibson from Airplay (ex Sound Hole). It had a single volume and two tones, and at first I didn’t like it as much. The group has morphed over the years from an acoustic blues unit to an electric boogie band to a rampaging metal act and back again. The legendary player behind Jefferson Airplane and Hot Tuna revisits his illustrious career on his 75th birthday. The first Moonalice studio album was released in April 2009. Gov’t Mule’s Island Exodus XI Runaway Bay, St. Ann Parish , Jamaica January 22, 2020 Guests: Ron Holloway, Jack Casady, Jorma Kaukonen, Justin Guip, The Better Half Singers, (Machan Taylor & Mini Carlsson), Tyler Ramsey He was a year younger than me and a wunderkind on guitar. “I was always chasing the jazz bass players. They wanted to build a bass that not only suited Jack’s playing style but was an “experimental platform” — one with modular electronics that would allow them to try different combinations of pickups and onboard circuits. Their singles, including "Somebody to Love" and "White Rabbit", had a more polished style than their other material, and successfully charted in 1967 and 1968. “My opportunity to play bass came when I filled in for a guy who was playing a Fender Precision Bass,” Jack says. Like other Airplane-related solo works it featured substantial support from other players such as Warren Haynes, Doyle Bramhall II, Jorma Kaukonen, Fee Waybill, Ivan Neville, the group Box Set, and many other musician friends. He and Zahl formed an exemplary rhythm section, as evidenced on the LP No Regrets (1981). He said, ‘Listen, there’s this little amp that’s got a 12-inch speaker in it, and it sounds gorgeous.’ Of course, Carol was using it at low volume, with a Fender bass and a pick and a whole different approach than I had; I was using my fingers and a hollowbody bass. “People have asked me over and over, ‘What’s your best show?’ or ‘What’s your favorite show?’ and it’s really the one I’m about to play.”. The builders took the name Alembic — an operation that was, as I wrote in my book American Basses, “more of a concept than a company.” The key players were Ron Wickersham and his wife, Susan; audio engineer Bob Matthews; and musician/sound mixer/luthier Rick Turner. Filter. SVT was a San Francisco power pop/new wave band from the late 1970s and early 1980s. KBC Band discography and songs: Music profile for KBC Band, formed 1985. “It is interesting that Jack and myself became partners in crime,” writes Kaukonen in his autobiography, Been So Long. So we kind of reversed roles; instead of me laying a consistent pattern beneath lead guitar lines, I would move through the changes with a constantly evolving, connecting walking bass line against Spencer’s furious backbeat and Jorma’s accented fills. Casady is widely known for the commanding tonal quality of his playing, something that he acknowledges is deliberate. Around 4 AM, Jimi decided we should do some playing — fortunately, I had my Guild with me. Casady had met Hendrix at the Monterey Pop festival, and he says the recording of that track was something of a chance encounter. It isn’t just a series of notes or the articulation or the technique. This page rounds up his recordings away from those two groups and includes solo recordings and guest appearances on other albums. Year Title Artist Rating Releases; 2018: Before We Were Them - June 28 1969: Jorma Kaukonen & Jack Casady: 1: Showing official release groups by this artist. Casady became the bass player for Jefferson Airplane when lead guitarist Jorma Kaukonen, a high school friend and former Triumphs rhythm guitarist, invited him to join in late September 1965. The band was formed early in 1978 … … Gov’t Mule’s Island Exodus XI Runaway Bay, St. Ann Parish , Jamaica January 20, 2020 Guests: Ron Holloway, Luther Dickinson, Cody Dickinson, Jorma Kaukonen, Jack Casady… “The only guy that I heard doing something different [on electric bass] was in James Brown’s band, when I saw him play in the late ’50s, using a Fender bass.” Given the time period, that bassist was probably Bernard Odum. His father was of half Irish Protestant and half Polish Jewish ancestry. Jorma Ludwik Kaukonen Jr. (born December 23, 1940 in Washington, D.C.) is a Jewish American blues, folk and rock guitarist. “So when I went to San Francisco, I didn’t have a bass. San Francisco based outfit fronted by ex- Jefferson Airplane/Hot Tuna bassist Jack Casady. Casady was born in Washington D.C., the son of Mary Virginia (née Quimby) and William Robert Casady. Currently, as well as performing with Hot Tuna, Casady teaches bass workshops at Jorma Kaukonen's Fur Peace Ranch in Ohio. 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