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"Ain't We Got Fun?" When I first saw you I had but one thought And then you chased me until you were caught From the day I whispered, 'May I please hold your hand?' (Richard A. Whiting / Gus Kahn / Ray Egan) Van & Schenck - 1921 Benson Orchestra Of Chicago (Instr.) in the film "Wash Your Step") 1936 Lady Killer's Quartet (feat. Every morning, every evening Ain't we got fun? Not much money, oh, but honey, ain't we got fun? Ain't we got fun? Ain't we got fun? Our rent's unpaid, dear And we haven't a bus But smiles were made, dear Oh, for people like us There's nothing sure The rich get rich and the poor get poor In the meantime, in between time Ain't we got fun? Nicholas E. Tawa summarizes the refrain "Ain't we got fun" as a "satirical and jaunty rejoinder" toward hard times.All through the war and for a little time afterwards there had been high wages and abundant employment; things were now returning to something worse than normal, and naturally the working class resisted.
The men who had fought had been lured into the army by gaudy promises, and they were coming home to a world where there were no jobs and not even any houses. - 1921 Billy Jones - 1922 Hal Le Roy (feat. in the winter, in the summer, don't we have fun? It was first performed in 1920 in the Fanchon and Marco revue Satires of 1920, then moved into vaudeville and recordings. AIN'T WE GOT FUN? in the film "Pride Of The Yankees") - 1942 Doris Day (feat. "Ain't We Got Fun" is a popular foxtrot published in 1921 with music by Richard A. Whiting, lyrics by Raymond B. Egan and Gus Kahn. It was first performed in 1920 in the Fanchon and Marco revue Not only does Kahn use abrupt, colloquial—even ungrammatical—phrases, he abandons syntax for the telegraphic connections of conversation. Moreover, they had been at war and were coming home with a soldier's attitude to life, which is fundamentally, in spite of discipline, a lawless attitude. and its jaunty response to poverty and its promise of fun have become symbolic of the Roaring Twenties, and it appears in some of the major literature of the decade, including The Great Gatsby by F. Scott Fitzgerald and in Dor Ain't we got fun? For example, The sheet music published in 1921 by Jerome K. Remick and Co. leaves this chorus out completely,Richard A. Whiting, Raymond B. Egan and Gus Kahn, (1921)
Not much money, oh, but honey Ain't we got fun? You progressed and I'm impressed and I think you're grand We're really living We got a fat turkey for a fine thanksgiving Shut the door please Don't get sore please. in the film "It All Came True") - 1940 Virginia Gilmore (feat.
Lyrics to 'Ain't We Got Fun' by Mitch Miller & The Gang. Stephen J. Whitfield, citing lyrics such as "Every morning / Every evening / Ain't we got fun," writes that the song "set the mood which is indelibly associated with the There are several variations on the lyrics. Ev'ry morning, ev'ry ev'ning, aint we got fun? Indeed, it might be only a small step from saying, "Ain't we got fun" in the midst of hardship to the idea that the poor are happier than the rich—because, as the However, others concentrate on the fun that they got. Ain't we got fun? When I first saw you I had but one thought And then you chased me until you were caught From the day I whispered, 'May I please hold your hand?' Ev'ry summer, I'm sorry. There was a turbulent feeling in the air.After quoting a few of the song's lines Orwell refers to the era as a time when "people had not yet settled down to a lifetime of unemployment mitigated by endless cups of tea," a turn of phrase which the later writer Larry Portis contests.He [Orwell] could just as easily have concluded that the song revealed a certain fatalism, a resignation and even capitulation to forces beyond the control of working people. Every morning, every evening, ain't we got fun? The rent's unpaid dear and we haven't a bus But smiles were made dear for people like us. Truncated phrases like Critical appraisals vary regarding what view of poverty the song's lyrics take.
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