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Sylvie Guillem. The world-renowned Alvin Ailey American Dance Theater returns to the Kennedy Center Feb. 4-9 for its annual winter engagement. I like an all-inclusive class.
More than just a popular dance work, it has become a cultural treasure, beloved by generations of fans. In 15 years I see myself being in the other side of the room, cultivating and grooming dancers by way of being a rehearsal director/choreographer. BRIEFLY DESCRIBE YOUR DANCE BACKGROUND: I started my formal training at Sharron Miller’s Academy for the Performing Arts. This year Revelations turns 60, and it has lost none of its incantatory power. WHO ARE YOUR FAVORITE DANCERS OF ALL TIME: Alvin Ailey and Arthur Mitchell WHAT LGBT THEMES ARE IN YOUR REPERTOIRE? (I can go on and on.) WHAT’S THE MOST ARDUOUS/TEDIUS PART OF THE DISCIPLINE/LIFESTYLE? It is an American phenomenon. I like to feel as if at any moment the dancer will fly off the stage and into the cosmos. WHO ARE YOUR FAVORITE DANCERS OF ALL TIME? I was thrust into the dance world in high school and never looked back. Making sure our bodies are at 100 percent no matter what. This year will be my 10th. OF ALL THE ARTISTIC MEDIUMS AVAILABLE, WHY DID YOU CHOOSE DANCE? WHAT DREW YOU TO THE COMPANY? In 1971, Alvin Ailey created one of his best-known ballets as a birthday present for his mother. My wife is a teaching and performing artist currently based in Dakar and trying to match our schedules is always tedious. My first was 10 years ago in my first year with the company. I’ve probably seen it countless times and every time it’s magical and spiritual and hopeful - everything that we want ourselves to be and hope that our country will be. Hosted by Dapper Dan, the post-benefit party was enlivened with music by DJ D-Nice and Miss Nix. I love to see someone dancing both with technical prowess and complete abandon.
Joey DiGuglielmo is the Features Editor for the Washington Blade. Jacqueline Green in
Linda Celeste Sims and Glenn Allen Sims in Then perhaps a bit of stretching to release the tendons and ligaments. You must have a working understanding of musicality. BRIEFLY DESCRIBE YOUR PERSONAL PHILOSOPHY OF ARTISTIC EXPRESSION/DANCE: It’s really important to me that I tell a story every time I walk on the stage. I might be a bit biased because D.C. is my hometown, but in all honesty it’s beautiful to come to such a majestic stage as our first stop on our domestic tour usually. BRIEFLY DESCRIBE YOUR PERSONAL FITNESS PROGRAM: Our work schedule is so intense so mostly the dancing is enough. The audience also loves us. I chose dance because it encompasses so much. I am a nervous person and performing most times challenges that. I have been dancing for so long and only now am I starting to think about a true next step for me. Sometimes you just want to break down but in those moments I think we take comfort and strength from each other as a company so that we can support each other. On top of that, the control, personality and finesse of each artist are unmatched. © 2020 Alvin Ailey Dance Foundation, Inc. All rights reserved.Please enter your email address to stay informed about the latest Ailey happenings and special offers. In BUSK, internationally renowned choreographer Aszure Barton invites us to enjoy the fragility, tenderness, and resilience that exist within the human experience. I joined Ailey II the summer of 2014, and joined the Alvin Ailey American Dance Theater in the spring of 2015.
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